Weird interview, the one of this Delacour guy ... He sounds a bit like a mercenary!
G.
I read the Delacour article and was amazed / impressed that Playmobil cooperates. Considering other public art projects (mentioned in "Story of a Smile") that Playmobil has been drawn into, it says something about the "iconic" look / affect of the toy. On the other hand, why Delacour needs 700 more yankees... I admire Geobra for playing along... Interesting that Delacour mentioned the dating analogy... the art of the conquest...? The double entendre of "yankee" meaning both war against slavery and a nickname for the present American international presence I guess adds "depth" to his project.
As for art definition:
It seems "modern art" (whether abstract or not) requires a raison d'etre, a "narrative" if you please (cynically: a sales spin).
When Van Gogh was painting one of his fields, did he console himself by saying it symbolized the vast fields of Africa, lush yet painted, vibrant yet flat, nourished yet starving?
It's the sales spin that creates the aura of mysticism that surrounds modern art makers. They aren't creating "things that are interesting"--nay! Such a description befits a boor. They're "devising introspections into post-modern subtextualization."
And, besides, you have to differentiate yourself in the market somewhere. Person A and Person B have both produced an "interesting" photograph. Yet, Person A gave us merely a snapshot, a jejune mish-mosh of childhood items set against an industrial background--while Person B--Oh Gods, look down!--gave us "morals, arrayed and fitted into rank and file--not 300, nay, no Thermopylaean martyrdom, but a 700 strong regiment of plastic, industrial men--post capitalist, yet pre-colonial, anti-slave, yet enslaving (look north, not south, for freedom, self-rule; General Lee is a car in the Dukes of Hazzard, a comedy). And to what god? What muse?
Oh great and wonderful Charisma!